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ACP Photofile 80

Buy-n-Shoot.com is Digital Camera News, Digital Camera Reviews, Australian Photography News & Photography TipsPhotography and the Law...


Will it soon be illegal to take a photograph in public? Heading up this issue of Photofile Martyn Jolly and Katherine Giles sort out the legal fact from the paranoid fiction. Meanwhile Adam Cuthbert highlights the danger of battlefield photography becoming a pornography of violence and Tarryn Gill and Pilar Mata Dupont satirise the simplistic polarising of good and evil portrayed in wartime propaganda.

Other featured artists include James Geurts who tells of his recent solo trip around the world's equator to create an image that symbolically and conceptually integrates humankind and environment. Closer to home, a poignant series by Angela Blakely and David Lloyd documents the hopes and fears of young Aboriginal people of Mount Isa while experts from various professions argue to pros and cons of US artist Jill Greenberg's controversial images of tearful toddlers. There is, of course, much more besides - an interview with Darren Sylvester, imagery by William Yang, Anne Noble, Bridgit Anderson, Murray McKeich, Joachim Froese and skater-artist guru Ed Templeton. In quieter vein, Helen Ennis reflects upon mortality on the eve of her forthcoming exhibition Reveries.

NEW The Third Degree: we tied William Yang into a chair, shone the desk lamp in his eyes and demanded some answers...

NEW Previews: a critical appraisal of some of the upcoming shows nationally and internationally

Interview: Gen Y oracle Darren Sylvester talks about packaging emotion, risk aversion and the challenge of becoming Kate Bush

NEW Points of View: four perspectives on Jill Greenberg's controversial images of crying children

Features:
* Panic and Paranoia: the Law and Photography in Australia Martyn Jolly and Katherine Giles sort the fact from the fiction
* 90 Degree Equatorial Project James Geurts unfolds the epic story of making of an artwork that frames the world
* On Death Helen Ennis reflects on the post-mortem images of Bridgit Anderson, Anne Noble and William Yang

Portfolios:
* We're Talking, Anyone Listening? Angela Blakely and David Lloyd give a voice to the Aboriginal children of Mount Isa
* Zombie Theory Murray McKeich unleashes a machine-made army of the un-dead
* Ed Templeton the world's most famous skater-artist searches for physical and emotional extremes
* Heart of Gold Tarryn Gill and Pilar Mata Dupont boost morale during the Australian Civil War
* Warporn Adam Cuthbert destroys all to make his art
* The Passion of Christ Joachim Froese recreates the great paintings of the Renaissance with his daughter's discarded toy animals

Exhibition Reviews:
Sam Haskins: Portraits and Other Stories at the National Portrait Gallery, Canberra / The Anne Landa Award at the Art Gallery of New South Wales / Centre Pompidou Video Art 1965-2005 at the Museum of Contemporary Art, Sydney / The Fifth Asia-Pacific Triennial of Contemporary Art, Brisbane / Eyes, Lies and Illusions at the Australian Centre for the Moving Image, Melbourne / Zero at Dunedin Public Art Gallery, New Zealand / Chobi Mela IV: Boundaries Dhaka, Bangladesh / Meeting Place Fotofest Beijing 06, China

Book Reviews:
Contact: Photographs from the Australian War Memorial Collection by Shaune Lakin / Paul Thomson: Shards of Silver / Jane Burton: Qui E Li. Here and There / Light Sensitive: Contemporary Australian Photography from the Loti Smorgon Fund by Isobel Crombie

Rant: American writer and academic James Elkins wonders if theorists ever listen to each other

Image Credits (Photofile Cover): Murray McKeich pzombie 118x 2006

 

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About Australian Centre for Photography (ACP)

 

Established in 1973, the ACP opened the doors of its first gallery in Paddington Street, in 1974. In 1981 the Centre moved to Oxford Street where it remains today. It is now Australia's longest running contemporary art space.

It is the ACP's mission to promote and enrich the understanding of photo-based art in Australia and this is achieved through a dynamic mix of exhibition, education and publication. In its blend of activities and range of photographic media, the Centre is unique in Australia.

ACP opened a Workshop in 1976. Originally in a separate building, this is now housed within the Centre in Oxford Street and includes black and white and colour darkroom facilities, a digital suite, lighting studio and library. In 1983 ACP launched the journal Photofile. It is now the leading photo-based art magazine in Australia, available through newsagents and specialist bookshops nationally.

Currently located in the heart of Paddington, Sydney's gallery district, ACP houses two exhibition spaces; a foyer display area and a Project Wall for emerging artists; an extensive workshop with comprehensive curriculum and public access facilities; a specialist bookshop and library.

The ACP is a not-for-profit organisation supported by the NSW Government through the NSW Ministry for the Arts, the Australia Council, the Australian Government's arts funding and advisory body, and the Visual Arts and Craft Strategy, an initiative of the Australian, State and Territory Governments. The ACP raises over half of its revenue from non-government sources.

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